Puella Magi Madoka Magica is a twelve episode anime produced by Shaft and Aniplex. It was directed by Akiyuki Shinbo, written by Gen Orabuchi, and drawn by Ume Aoki. It’s about a girl named Madoka who lives a pretty simple life with her family and friends, and always tries to do the right thing. However, her simple life changes forever when a new transfer student named Homura Akemi. Homura warns Madoka that if she tries to change her life, she’ll lose everything she holds dear. The warning turns out to be prophetic, as Madoka and her friend, Sayaka, encounter a white cat-like creature named Kyubey who promises to grant them one wish, which can be anything. However, in return, they must become Magical Girls and battle Witches, which are creatures that cause horrible things to happen to humans. However, the girls soon find that there’s more to Kyubey and being a Magical Girl than they anticipated.
Now, for the most part, the art and animation of Puella Magi Madoka Magica is gorgeous. I especially love how they experiment, as every Witch’s labyrinth will have a different animation style applied to it. It’s just brilliant, and if I had one complaint about it, it would be that the head-tilting that our heroines do looks odd and silly after awhile, as they do tilt their heads in odd ways quite a bit. However, it’s a small blemish on an otherwise jaw-droppingly beautiful show.
As for the characters, while they are fun to watch, they can feel flat at times, with the exceptions of Homura and Mami. They feel like they lack development and are a little hard to sympathize with at times. Don’t get me wrong, they are fun to watch, but when bad stuff happens to them, you want to feel sad for them..but there aren’t any hooks in them to make you feel sad, again, with the exceptions of Homura and Mami.
As for the music, it was all composed by Yuki Kajiura, so it all sounds gorgeous. However, there is one small flaw with it. In the first two episodes, the ending song is a sweet, upbeat track called See You Tomorrow by Aoi Yuki. While I understand the intent behind putting this song up for the first two episodes-which was done in order to hide the type of show that Puella Magi Madoka Magica is-it does not sound as good as Kalafina’s Magia, which is the best song in the show, and is so good that it’s even used as a battle theme sometimes. However, other than that small flaw, the soundtrack is beautiful.
As for the voice acting, the dub is..terrible. There’s no way of getting around that fact. The actors are trying too hard to be cutesy, and when you couple that with their wooden acting, it’s a recipie for absolute failure. The Japanese cast, on the other hand, sounds perfectly fine. While the actors are all cast to type, they make the characters sound believable and the voices won’t make your ears rot like the dub will.
As for the plot, it is a well-oiled tragedy, and one can easily compare it to Faust. The show takes one dark and sad turn after another, and just when you think you’ll be able to recover, the show stomps on your heart to splinters. It is that good.
Which makes it such a shame that the final two episodes-and the world of Puella Magi Madoka Magica itself-have huge, unforgiveable flaws. A quick warning here: if you plan on seeing Puella Magi Madoka Magica anytime soon, skip this part of the review. It all contains spoilers that could ruin your enjoyment of the show.
The first flaw isn’t really noticeable until you think about it, but Kyubey says that the emotions adolescent girls go through at that age are so strong that they can fulfill his goal. However, boys are also going through development emotionally, so why can’t boys be part of the action as well?
The second flaw of the series is how it tries to make sense out of how Madoka should be the strongest Magical Girl. Kyubey has an explanation for us at the second to last episode, but I’m not sure the explanation makes a lot of sense, and logically, Homura is the strongest Magical Girl, not Madoka.
As for the last episode, there are two weird things that make no sense in it. The first thing is that fact that Madoka talks to the dead about her wish and what she should do. The second thing that doesn’t make any sense is the sudden jump to space and the higher plane. Reading guidebooks does provide some insight as to what’s going on, but you never know why. It just all comes out of the blue.
However, I would be able to forgive the last episode and let those two things slide if Madoka’s wish wasn’t poorly executed. You see, her wish was to get rid of all past and future Witches by her own hands. In doing so, she becomes a god-like entity that no longer really exists on the same plane as humans. And you know what? I would be cool with that if her wish didn’t involve killing people. When we see her go to a girl that’s about to become a Witch, Madoka cleans the Soul Gem, which would be awesome if that was all she did. But it isn’t. Madoka then smashes the Soul Gem, killing the girl. She is shown doing this to several people, and it’s implied that this is what happens to every Magical Girl that was supposed to become a Witch. This is made out to be a good thing until the final moments of the show, and quite frankly, it leaves a bitter taste in my mouth.
Now, cleansing a Soul Gem and getting rid of the fate of turning into a Witch is good. But I see nothing in that wish that states that Madoka has to break the Soul Gem as well. She could have just purified the Soul Gems, made a universe where the deaths of Magical Girls cure entropy, and left it at that. That would have made for a much happier ending, and since Gen Orabuchi was trying to make a semi-happy ending to Puella Magi Madoka Magica, I think this would have been the better way to do it.
All in all, Puella Magi Madoka Magica is a show well worth watching. It looks great, sounds great, and is a wonderful tragedy that will stomp on your heart. Just be careful of that last episode. It’s a bit of a doozy.